It received nine Tony Awardnominations and won for Best Actor (Philip Bosco) and Best Director (Jerry Zaks). The title is a pun on "Lend me a tenner" (i.e., a ten-dollar bill).
Julia Chairman of the Opera Guild. Information: 381-4864. Your blog is such a great reference to have and, of course, provides invaluable insight into someone I've admired for so long.As I was reading your past entries, I saw that someone inquired about your favorite monologues from your works, particularly "Leading Ladies". Lend Me a Tenor Play Writers: Ken Ludwig Monologues Sorry! Join StageAgent today and unlock amazing theatre resources and opportunities. DOWNLOAD PDF . As the curtain falls on Act One, Saunders and Max leave for the performance, just as Tito wakes up in the bedroom. Research Playwrights, Librettists, Composers and Lyricists. trying to stab himself with a wine bottle). The company, which shies away from musicals, had to scramble to find a music director to arrange the two arias. Leigh Anne Hamlin performs one of. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall
Join StageAgent today and unlock amazing theatre resources and opportunities. Inspire employees with compelling live and on-demand video experiences. Victor Carr, as the tyrannical Saunders, manages to pace his perpetual hysteria without peaking prematurely. A Broadway revival opened in 2010.
Mary Catherine Garrison. On a very important night for the Cleveland Grand Opera Company, Tito Mirelli, the world-famous Italian tenor, is set to perform the starring role in Otello. Max is mistaken for Tito, and Tito is mistaken for Max by Saunders. They can go to other places for deep thought and angst.". During Max's performance, the "lunatic" tried to force his way into the opera house, hit a policeman who tried to stop him, and ran away. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. A few brief words, nothing elaborate. Throw in Diana, an ambitious, female co-star; Maggie, Max's giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Tito's attention. version of LEND ME A TENOR in London, the opera was switched to Pagliacci with Ken Ludwig's permission . Lend Me a Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985. To achieve the bold 1930s art deco set of black, white and red and coordinating costumes that add to the production's sleek and elegant effect, costume designer Lindy Davis combed thrift shops and theater companies for authentic period clothing.
A rehearsal schedule will be available
Horrified that his wife has left him, Tito goes into a fit of passion and tries to "kill himself" with various non-lethal objects (e.g. Lend Me a Tenor by Ken LudwigRole: MaggieMaggie Saunders is found by Max, who is disguised as Tito Mirelli, in the Opera Star's hotel suite.I played this rol. Now two clowns are running around in costume and two women are running around in lingerie, each thinking she is with Il Stupendo. Take a look at our
A Broadway revival opened in 2010. I suppose we'd better go. I mean, I just want to be helpful. "Men are hard to get in community theater and here are three demanding roles. Lend Me A Tenor is set in September 1934. A Broadway revival began performances at the Music Box Theatre on March 13, 2010 in preview and officially opened on April 4, 2010. Gain full access to show guides, character breakdowns, auditions, monologues and more! Five doors, primed for slamming, in a single hotel suite. Max navigates the company through one catastrophe after the next -- an angry wife, a presumed death, crazy costumes, secret sex romps, and loads and loads of slamming doors and mistaken identities -- and, ultimately, takes on the role of Otello to great effect. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986 with the following cast: MAX - Denis Lawson; MAGGIE - Jan Francis; SAUNDERS - John Barron; TITO - Ronald Holgate; MARIA - Anna Nocholas; BELLHOP - Edward Hibbert; DIANA - Gwendolyn Humble; JULIA - Josephine Blake, Directed by David Gilmore; Designed by Terry Parsons; Lighting by Michael Northen. But Tito arrives sick from overeating and Maria is angry at his flirting and infidelities. Henry Saunders -- General Manager of the company -- is beyond stressed about everything turning out right, and insists that his assistant, Max -- a nervous, young fellow and secret tenor extraordinaire -- watch over Titos every move to ensure smooth sailing. I'd be happy to suggest a few monologues for men from my plays as well as some of my favorite monologues from Shakespeare.From my plays, there are three monologues that might be of interest:1. character breakdowns, auditions, monologues and more! Max's gradual transformation from quivering nebbish to commanding impostor reflects the acting range of actor Aric-James Darroe. Group rates are available. that Max mistakenly thinks Tito has committed suicide. We can prop him up and play a record. It was directed by Larry Carpenter. Still wearing his Othello costume, Max leaves the hotel suite and runs to find Saunders. Jane Summerhays and J. Smith-Cameron Photo: Martha Swope, Philip Bosco as Saunders - Jane Connell as Julia - Tovah Feldshuh as Maria Photo: Martha Swope, Lend Me A Tenor at the Theater in der Josefstadt in Vienna, Austria starring Otto Schenk, 2 Tony Awards - for Best Direction of a Play and Best Actor in a Play (Philip Bosco), 5 Tony Award Nominations including Best Play, 3 Outer Critics Circle Awards - for Best Set, Best Costume and Best Lighting Design, 4 Drama Desk Awards - for Outstanding Actor in a play (Philip Bosco), Best Costume Design, Best Director and Outstanding Featured Actress in a play (Tovah Feldshuh), Oliver Award for Comedy of the Year (nominee), A remarkable piece of theatre a masterpiece Author Ken Ludwig has verve, a sound grasp of plot mechanics and a rare ability to couple high art with low comedy.- The London Times, One of two great farces by a living writer.- The New York Times"Ken Ludwig's 1989 Tony-winning comedy is one of only two classic farces by a living playwright, the other being Michael Frayn's frenetic "Noises Off"- Daily News, The most inventive, original farce in a long time - Punch, A furiously paced comedy with more than a touch of the Marx brothers A marvelous combination of wonderful farcical moments and funny lines.- Time Out, Hilariously over the top.- The Manchester Guardian, Fills the theatre with the sound of laughter.- The (London) Sunday Express, Free flowing honest-to-goodness unforced farce.- New York Magazine, Its hilarious The funniest show on Broadway.- WNEW, "A rollercoaster of fun for everybody in the buildinga solid, constantly accelerating snowball of a comedy! Max succeeds admirably, but Morelli comes to and gets into his other costume ready to perform. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. 2023 Vimeo.com, Inc. All rights reserved. You can see four different versions of it and enjoy each one.". The angst-free farce "Lend Me A Tenor" was written by Washington attorney Ken Ludwig and produced in 1989 by Andrew Lloyd Webber.
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. When he learns that Max is an aspiring opera singer, Tito kindly gives Max a singing lesson, teaching him to "loosen up" and sing with more confidence. Thanks so much for writing and all the best for your future in acting!Regards,KenFrom Ken Ludwigs Lend Me A Tenor, Act I, Scene 2:SAUNDERS has just discovered that world-famous opera star, Tito Merell, whom patrons of Cleveland Grand Opera have paid large sums of money see perform the role of Otello that evening, is either unconscious or dead. Auditioners for the roles of Max, Tito and Bellhop will be asked to sing from music sides. This article is about the play. Maybe I should wait here. Build a site and generate income from purchases, subscriptions, and courses. General admission is $8. [9] The musical opened in London's West End in June 2011, directed by Ian Talbot and choreographed by Randy Skinner. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986. Max reluctantly agrees to the plan. I am very excited that Im making my directorial debut at the Duluth Playhouse with this crazy, crazy show. All monologues are property and copyright of their owners. Singing is not required for any role, however, if Tito and Max can sing, we may switch to live performance singing as opposed to recordings. Each year, League members bring Broadway to more than 30 million people in New York and more than 200 cities across the U.S. and Canada. Arriverderci. The play takes place in 1934, in a hotel suite in Cleveland, Ohio. It was directed by Larry Carpenter. SAUNDERSWell, I guess that wraps it up. Cedar Street Players, Julia at
"We made a conscious decision to stay away from theater that's thought-provoking and asks serious questions," said Steve Moore, president of CCP. Tito and Max sing a duet together ("Dio, che nell'alma infondere" from Verdi's Don Carlos). The ultimate operatic experience! But when he becomes incapacitated, it's up to meek and mild. However, we have dozens of other monologues that you can read. "The play is pure entertainment," said director Kathy Turyn Romaine, who is also a CCP officer. Brooke Adams. Research Playwrights, Librettists, Composers and Lyricists. "Evey lead must be strong," said the Ellicott City resident. Search.
"The play allows for that. from Since each role is clearly defined and quite funny, it offers the opportunity for everyone to shine. The play was produced on both the West End (1986) and Broadway (1989). Seeking 2 Actor Team for Spring
However, Saunders comes up with a plan. IBDB provides records of productions from the beginnings of New York theatre until today. Gain full access to show guides, character breakdowns, auditions, monologues and more! For the rest of the play, Max and Titowho are identical in their Othello costumes and makeupare repeatedly mistaken for each other, as they alternately run in and out of the hotel suite. Every aspect of the internet, we believe . A center "stage wall" divides the two rooms, with a door leading from one room to the other. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. Gender: Female. When they grabbed him he actually hit a policeman. AboutPressCopyrightContact. Audition Packets are available on the website. As Scene I of the play opens, Henry Saunders, general manager of the Cleveland Grand Opera Company, is anxiously awaiting the arrival of Tito Merelli, a world-famous Italian opera tenor, known as "Il Stupendo" to his many fans.
Both are from Act II, Scene 3: The first one is at the beginning of the act and begins, "I do much wonder that one man" and the second one is towards the end of Act II and begins, "This can be no trick"From Henry IV, Part 1, I'd suggest Falstaff's speech in Act II, Scene 4, that begins, "If sack and sugar be a fault, God help the wicked. In a frantic attempt to salvage the evening, Saunders persuades Max to get into Morellis Canio costume and fool the audience into thinking hes Il Stupendo. He is nervously waiting for the very late Italian opera superstar, Tito Merelli, who is scheduled to sing Verdi's "Otello" for the company's 10th anniversary celebration that evening. For actor Bill Cookson, who plays Tito, learning the lines and keeping the pace required more work than understanding Tito's motivation. Vocal Part: Spoken. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. Maggie is a fan of Tito Merelli, and hopes to meet him. IBDB also offers historical information about theatres and various statistics and fun facts related to Broadway. It will be a disaster for the Cleveland opera, and for Saunders himself. Lusty women in hotel rooms, crazed fans, drinking, drugs and suicide attempts -- it's tough to be an opera singer. Max manages to calm Tito down, and takes the singer into the bedroom, where Tito lies down on the bed for a rest. Tony Shalhoub as Saunders and Brooke Adams as Julia in Lend Me a Tenor. MUSIC BY BRAD CARROLL BOOK/LYRICS BY PETER SHAM. Oh oh oh absolutely. Lend Me a Tenoris a comedyby Ken Ludwig. Saunders and Max try to go on with the show despite the array of women hiding in bathrooms and closets.
Saunders and Max try to block assorted groupies, including an ** opera-singing bellhop, the ambitious opera singer Diana, opera guild president Julia Leverett and Saunders' daughter, Maggie. Saunders' harried assistant, Max, is also in the hotel suite. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. It was directed by David Gilmore. Lend Me a Tenor guide sections.
Here are a few of my favorite speeches from those plays:From Hamlet: Act II Sc 2: "Oh what a rouge and peasant slave am I!" Tito finally arrives at the hotel suite, accompanied by his hot-tempered Italian wife, Maria, who is jealous because Tito flirts with other women. MAGGIE SAUNDERS: Saunder's daughter, and Max's girlfriend. Aurora University Theater. Since no one else knows that Tito is dead, Max will step into the Othello role and pretend to be Tito. Description Lend Me A Tenor Act I Account 157.55.39.99. When she finds Maggie hiding in the bedroom closet, trying to get Tito's autograph, Maria angrily assumes that Maggie is Tito's secret lover. Lend Me A Tenor will be directed by Wade Willis. The musical version, with book and lyrics by Peter Sham and Music by Brad Carroll opened at the Theatre Royal, Plymouth, on September 24 and ran until October 6, 2010, after which it transferred to London's West End on June 15, 2011 and closed on August 6, 2011, despite mostly good reviews but two months of poor ticket sales. The winner of two Tony Awards and four Drama Desk Awards has. A hotel suite in Cleveland, Ohio in 1934. library of free monologues. Together, Max and Saunders find a way to save the Opera Companys big night in grand, farcical fashion. Research Playwrights, Librettists, Composers and Lyricists. [2], The West End production opened on March 6, 1986 at the Globe Theatre, where it ran for ten months, closing on January 10, 1987.
I've included this monologue below, since it requires putting three speeches together.2. [10], In 2022, Ludwig adapted a gender-swapped version of the play entitled Lend Me a Soprano which will run at the Alley Theatre in Houston, Texas from September 16 until October 9. Audition Monologue #1 (Female) It's no good you going on. Seeking 2 Actor Team for Spring
Casting "Lend Me a Tenor." Note: All actors must be first-rate farceurs with excellent verbal skills. Yes, that's five doors on the stage of the Music Box Theater, where a revival of Ken Ludwig's "Lend Me a Tenor" opened Sunday night. Seeking 2 Actor Team for Spring
College/University, Community Theatre, Professional Theatre, Regional Theatre, Small Cast, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. Gain full access to show guides, character breakdowns, auditions, monologues and more! Take a look at our library of free monologues . It was a major challenge to find two very good actors who could sing, even though it's only for a short time.". Max's performance as Othello was a huge success, and no one suspected that he was not Tito. On this Wikipedia the language links are at the top of the page across from the article title. Show Dates: Performances: Mar 6-8, 13-15, 20-21 Friday/Saturday Performances 8pm, Sunday Matinee 2pm LEND ME A TENOR is presented by special arrangement with Samuel French General Information Important: Bring a list of ALL conflicts with you. 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